Reading Guide

Paracelsus, The Philosopher's Stone

(Baigrie, pp. 59-65)


Paracelsus' extract demonstrates the sort of information pre-18th century chemists (and indeed, many 18th century one s as well) had at their disposal to understand make-up of the natural world. In terms of reading this week's reading, it is both simple an difficult.

The difficulty lies in the impenetrability of the ideas that Paracelsus uses to interpret the seven metals. To the modern eye, little makes sense on why certain metals are connected to certain planets or certain properties. And indeed, to the alchemist, there were reasons, but for those who did not know the reasons, it would be unwise to reveal them. And therein lies the central paradox or Catch-22[ _1_] of Paracelsianism: if you already know the secrets, you do not need to be taught, but if you don't know the secrets, it is better not to teach you. Note the closing phrase of this reading; "If you do not yet understand it, or are not practiced therein, it is well. It is better that it should be kept concealed, and not made public." This of course raises the question of where the Paracelsian alchemists learned the secrets. There are three possibilities:

  1. A modern skeptic (and indeed many contemporary 16th and 17th century ones as well -- see Ben Johnson's play, The Alchemist) would say that no one ever did know the secret and all alchemists were charlatans. This is indeed a possibility.
  2. One could convince an alchemist to teach you the secrets, if he were willing. This is also possible, and many "alchemists" did take apprentices.
  3. You could discover these ideas for yourself, armed with the general outlines as people like Paracelsus provided. This was obviously one of the more popular routes, given the wide-spread success of books on alchemy. This also appealed to the emergent scientific/experimental culture that was appearing in the later 16th century.

 

From here, the rest of this summary will summarize the elements of the cannons of the metals and make a few concluding remarks.

Metal

Planet

Property

Remarks

Mercury

Mercury

Liquidity

Half-formed form of all metals

Tin

Jupiter

No quintessence (~aether)

All 6 others are inside

Iron

Mars

Strength and coagulation

Expelled from all the others

Copper

Venus

Relates to fire

Rendered "extrinsical" by the other 6

Lead

Saturn

Corruptible

"cast out [of the others] as their examiner"

Silver

Luna

External, corporal, and material (i.e. semi-non-corruptible)

The 6 are "spiritually concealed" within

Gold

Sun

   

First, notice that Paracelsus in fact lists the metals not as metals, but as planets. The connection with astronomy, and more particularly, astrology, should be immediately obvious. Notice also, that many of the qualities of the metals/planets are anthropomorphic (e.g. mars is pugnacious, because he is god of war, but also because iron is used for weapons). Next, notice the numerology that is going on in the second paragraph of Luna (silver). He speaks of 6x2=12 virtues and each of the other 6 metals have two (good and bad). In reading about the various properties of the metals, you notice that for some, Paracelsus mentions the connections that it has with the some or all of other 6. If you really want to understand this reading, try to make up a chart of the interconnections between the 7 metals. The starting place would be from Luna, where the elements of the others that one can find in silver are given:

Mercury

Tin

Iron

Copper

Lead

Gold


Liquidity


Bright color

White color


Fire firmness

Hardness

Clear sound

Coagulation


Malleability

Homogeneity


Gravity (weight)

Spotless purity


Consistency against fire

Finally, I leave it to you to read and understand the last section, "Concerning the Receipts (i.e. recipes) of Alchemy". Pay particular attention to how one comes to a knowledge of alchemy, and matter.


[Note _1_]: Q: As an aside, can anyone tell em what Joseph Heller's novel, Catch-22 was originally titled?
A: Catch-18, but it was renamed because in the same year (1962), Leon Uris, a much more well-known author released his new novel, Mila-18, and Heller's publisher thought it unwise to go head-to-head with Uris' fame. So had it not been for timing, we would all be saying that things like this were a "Catch-18" [BACK]